Page 81 - Fundação MEO - Net Arte no Triângulo das Bermudas

PUBLICATIONS IN CHRONOLOGICAL ORDER

This exhibition included a selection of academic publications reflecting on
digital art, cyberculture, society, communication, globalisation, technology,
and the Internet, in the form of journals, scientific articles, doctoral theses,
and a dissertation. Several paper and online editions of the journals
Revista de Comunicação e Linguagens (CECL/ICNOVA),
Interact (CECL/ICNOVA), Aniki: Revista Portuguesa da
Imagem em Movimento (AIM), Journal of Science
and Technology of the Arts (CITAR), E-Letras com
Vida: Literatura, Artes e Hipertexto na Web (FLUL),
and Convocarte (CIEBA) were included, as well as conference procee-
dings from Artech (2010), xCoAx (2014 and 2017), ICLI (2014 and
2018), and the book of abstracts from the Electronic Literature
Conference (2017), among others. Additionally, the exhibition featured
art magazines, including the now-defunct Número Magazine,
published by Associação Número-Arte e Cultura (1998-2005); UMBIGO,
published by Umbigo Edições (since 2002); the now-defunct NADA,
published by UR (2003-2013); Flirt Magazine, published by Zé dos
Bois (1998-2003); L+arte, published by Entusiasmo Media (2004-2011),
which included a section dedicated to “Books & Net”; and an edition of
Nevo Azul 4 – Uma Internet mais gentil, edited by Inês
Catarina Pinto (2022), among others.
The exhibition also included printed editions of the National Young
Creators Competition catalogues, organised by the Clube Português Artes
e Ideias (CPAI) and the Instituto Português do Desporto e Juventude
(IPDJ), between 1998 and 2008, a period in which the competition
featured a “cyber art” category. This category continues to be included
in more recent editions of the competition, albeit under different desig-
nations. This section also presents both printed and online catalogues
published by Portuguese institutions in the context of exhibitions and
awards dedicated to digital art, with emphasis on the relationships
between art, the Internet, and cyberculture. These include catalogues from
exhibitions such as Inter@ctividades (CECL/ICNOVA 1997),
Cyber 98 – Criação na Era Digital (CCB and Portugal
Telecom 1998), Intervenção (Fundação Eugénio de Almeida 2013),
Sob as Nuvens (Serralves 2015), Unplace (Fundação Calouste
Gulbenkian 2015), and Playmode (MAAT 2019). Additionally, cata-
logues from artists working within these themes were included, such as
the Bunker exhibition by Miguel Leal (2000) at the Círculo das Artes
Plásticas de Coimbra and uunniivveerrssee.net by André Sier
(2011) at the Museu de S. Roque, in Lisbon. The selection also features
the catalogue from the SONAE Media Art prize (2019), among others.

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