Page 119 - Fundação MEO - Net Arte no Triângulo das Bermudas
P. 119

BIBLIOGRAPHY

           Albuquerque, Inês. 2013. A Internet como meio de   Ghidini, Marialaura; Gaia Tedone and Annet Dekker. 2022.
             criação artística: Internet Art, Universidade   “The Broken Timeline” In Curating Digital Art.
             de Aveiro (Tese).                         From Presenting and Collecting Digital
                                                       Art to Networked Co-curation, Annet Dekker
           Archey, Karen and Peckham, Robin (eds.). 2014. Art   (ed.), Amsterdam: Valiz, pp 297-329.
             Post-Internet: INFORMATION / DATA. Beijing:
             Ullens Center for Contemporary Art.      Greene, Rachel. 2004. Internet art. London: Thames
                                                       & Hudson.
           Baigorri, Laura and Cilleruelo, Lourdes. 2006. Net Art:
             Prácticas Estéticas y Políticas en la Red,   Hafe Pérez, Miguel von (ed.). 2004. Anamnese.
             Madrid: Brumaria.                         O Livro, Porto: Fundação Ilídio Pinho, p 517.
           Barranha, Helena; Martins, Susana S.; and Ribeiro, António   Heffernan, Virginia 2017. Magic and loss: the
             P. 2015. Museus sem lugar ensaios,        Internet as art. NY: Simon and Schuster.
             manifestos e diálogos em rede. Lisboa:
             Fundação Calouste Gulbenkian.            Ippolito, Jon. 2002. “Ten myths of Internet art”. In
                                                       Leonardo, 35(5), pp 485-498.
           Bazzichelli, Tatiana. 2009. Networking: the net as
             artwork. BoD–Books on Demand.            Lévy, Pierre. 1997. Cyberculture, Paris: Éditions Odile
                                                       Jacob/ Éditions du Conseil de l’Europe.
           Bookchin, Natalie and Shulgin, Alexei 1999. “Introduction
             to net.art (1994-1999)”. línea]. easylife. org. URL:   McHugh, Gene. 2011. Post Internet. Brescia: Link
             http://www.easylife.org/netart            Editions.
             http://www.easylife.org/netart.
           Cerveira Pinto, António. 2005. “The post-contemporary   Melo e Castro, Ernesto. 1988. Poética dos Meios
             condition”. In Meta.morfosis. O Museu e a   e Arte High Tech. Lisbon: Veja, 1988.
             Arte na Era Digital, Badajoz: MEIAC, pp 34-43.  Ministro, Bruno. 2021. “Isto foi uma experiência (O
           Corby, Tom (ed.). 2006. Network Art: Practices   computador como mestre)”. In Interact #34, URL:
                                                       https://revistainteract.pt/34/isto-foi-uma-
             and Positions. NY: Routledge.             https://revistainteract.pt/34/isto-foi-uma-
                                                       experiencia-o-computador-como-mestre/
                                                       experiencia-o-computador-como-mestre/
           Ćosić, Vuk. 2005. “Official History of Net.Art and Then
             What? (Memoirs and other thoughts of an amnesiac   Moss, Ceci. 2019. Expanded Internet Art:
             archeologist)”. In Meta.morfosis. O Museu e a   Twenty-First-Century Artistic Practice
             Arte na Era Digital, Badajoz: MEIAC, pp 50-55.  and the Informational Milieu. NY:
                                                       Bloomsbury Publishing.
           Cruz, Maria Teresa and José Pinto Gomes (eds.). 2009. As
             Artes Tecnológicas e a rede Internet em   Murraças, André. 2008. “Amigos Online”. In L+arte, nº 55,
             Portugal, Lisboa: Nova Veja.              dezembro 2008, pp 58-60.
           Daniels, Dieter and Reisinger, Gunther. 2010. Net   Novitskova, Katja. 2010. Post Internet Survival
             Pioneers 1.0. Contextualizing Early Net   Guide. Berlin: Revolver Publishing.
             Based Art. London: Sternberg Press.      Oliveira, José. 2021. “Computer Art in Portugal? A Short
           Dekker, Annet. 2018. Collecting and conserving   History of Related Exhibitions and Art Criticism in the
             net art: moving beyond conventional       1970s”. In Art, Museums & Digital Cultures.
             methods. NY: Routledge.                   Rethinking Change, Lisbon: IHA-UNL and MAAT,
                                                       pp. 94-107. DOI: 10.34619/hwfg-s9yy
           Droitcour, Brian. 2014a. “The Perils of Post-Internet Art”.
                                            www.
             In Art in America, October 30, 2014 URL: www.  Pereira, José Manuel. 2019. Estética de
             artinamericamagazine.com/news-features/   ações coletivas na Internet Art:
             artinamericamagazine.com/news-features/
             magazine/the-perils-of-post-Internet-art/;  Crowdsourcing e o despertar de
             magazine/the-perils-of-post-Internet-art/
                                                       públicos criativos, Universidade de Lisboa
           Droitcour, Brian. 2014b. “Why I Hate Post-Internet Art”. In   (Theses).
                                           https://
             Culturetwo, March 31, 2014, 2014. URL: https://
             culturetwo.wordpress.com/2014/03/31/     Quaranta, Domenico. 2015. “Situating Post-Internet”. In
             culturetwo.wordpress.com/2014/03/31/
             why-i-hate-post-Internet-art/;            Media Art. Toward a New Definition or
             why-i-hate-post-Internet-art/
                                                       Art in the Age of Technology. Valentino
           Fernandes, Lino Azevedo. 1999. NET.ART: a Internet   Catricàla (ed.). Venice: Gli Ori.
             como espaço de exibição artístico
             alternativo ao domínio hegemónico        Rinehart, Richard and Ippolito, Jon. 2014. Re-collection:
             e globalizador do sistema artístico       art, new media, and social memory.
             mundial. Coimbra: Universidade de Coimbra. URL:   Cambridge, MA: MIT Press.
             https://estudogeral.uc.pt/handle/10316/9740
             https://estudogeral.uc.pt/handle/10316/9740  Silva, Luís. 2005. “Net Art Portuguesa 1997-2004”. In
                                                                                 https://www.
           Furtado, Teresa Veiga. 2023. Net art e igualdade   www.atmosferas.net. URL: https://www.
                                                       cada1.net/netart/luis.html
             de género: cocriação com mulheres de      cada1.net/netart/luis.html
             casas de abrigo, Universidade de Lisboa (Theses).  White, Michele. 2002. “The aesthetic of failure: Net art gone
                                                       wrong”. In Angelaki: Journal of Theoretical
                                                       Humanities, 7 (1), pp 173-194.
                                                                                        119
           Sofia Ponte & Luis D. Rivero-Moreno
           Sofia Ponte & Luis D. Rivero-Moreno
   114   115   116   117   118   119   120   121   122   123   124