Page 119 - Fundação MEO - Net Arte no Triângulo das Bermudas
P. 119
BIBLIOGRAPHY
Albuquerque, Inês. 2013. A Internet como meio de Ghidini, Marialaura; Gaia Tedone and Annet Dekker. 2022.
criação artística: Internet Art, Universidade “The Broken Timeline” In Curating Digital Art.
de Aveiro (Tese). From Presenting and Collecting Digital
Art to Networked Co-curation, Annet Dekker
Archey, Karen and Peckham, Robin (eds.). 2014. Art (ed.), Amsterdam: Valiz, pp 297-329.
Post-Internet: INFORMATION / DATA. Beijing:
Ullens Center for Contemporary Art. Greene, Rachel. 2004. Internet art. London: Thames
& Hudson.
Baigorri, Laura and Cilleruelo, Lourdes. 2006. Net Art:
Prácticas Estéticas y Políticas en la Red, Hafe Pérez, Miguel von (ed.). 2004. Anamnese.
Madrid: Brumaria. O Livro, Porto: Fundação Ilídio Pinho, p 517.
Barranha, Helena; Martins, Susana S.; and Ribeiro, António Heffernan, Virginia 2017. Magic and loss: the
P. 2015. Museus sem lugar ensaios, Internet as art. NY: Simon and Schuster.
manifestos e diálogos em rede. Lisboa:
Fundação Calouste Gulbenkian. Ippolito, Jon. 2002. “Ten myths of Internet art”. In
Leonardo, 35(5), pp 485-498.
Bazzichelli, Tatiana. 2009. Networking: the net as
artwork. BoD–Books on Demand. Lévy, Pierre. 1997. Cyberculture, Paris: Éditions Odile
Jacob/ Éditions du Conseil de l’Europe.
Bookchin, Natalie and Shulgin, Alexei 1999. “Introduction
to net.art (1994-1999)”. línea]. easylife. org. URL: McHugh, Gene. 2011. Post Internet. Brescia: Link
http://www.easylife.org/netart Editions.
http://www.easylife.org/netart.
Cerveira Pinto, António. 2005. “The post-contemporary Melo e Castro, Ernesto. 1988. Poética dos Meios
condition”. In Meta.morfosis. O Museu e a e Arte High Tech. Lisbon: Veja, 1988.
Arte na Era Digital, Badajoz: MEIAC, pp 34-43. Ministro, Bruno. 2021. “Isto foi uma experiência (O
Corby, Tom (ed.). 2006. Network Art: Practices computador como mestre)”. In Interact #34, URL:
https://revistainteract.pt/34/isto-foi-uma-
and Positions. NY: Routledge. https://revistainteract.pt/34/isto-foi-uma-
experiencia-o-computador-como-mestre/
experiencia-o-computador-como-mestre/
Ćosić, Vuk. 2005. “Official History of Net.Art and Then
What? (Memoirs and other thoughts of an amnesiac Moss, Ceci. 2019. Expanded Internet Art:
archeologist)”. In Meta.morfosis. O Museu e a Twenty-First-Century Artistic Practice
Arte na Era Digital, Badajoz: MEIAC, pp 50-55. and the Informational Milieu. NY:
Bloomsbury Publishing.
Cruz, Maria Teresa and José Pinto Gomes (eds.). 2009. As
Artes Tecnológicas e a rede Internet em Murraças, André. 2008. “Amigos Online”. In L+arte, nº 55,
Portugal, Lisboa: Nova Veja. dezembro 2008, pp 58-60.
Daniels, Dieter and Reisinger, Gunther. 2010. Net Novitskova, Katja. 2010. Post Internet Survival
Pioneers 1.0. Contextualizing Early Net Guide. Berlin: Revolver Publishing.
Based Art. London: Sternberg Press. Oliveira, José. 2021. “Computer Art in Portugal? A Short
Dekker, Annet. 2018. Collecting and conserving History of Related Exhibitions and Art Criticism in the
net art: moving beyond conventional 1970s”. In Art, Museums & Digital Cultures.
methods. NY: Routledge. Rethinking Change, Lisbon: IHA-UNL and MAAT,
pp. 94-107. DOI: 10.34619/hwfg-s9yy
Droitcour, Brian. 2014a. “The Perils of Post-Internet Art”.
www.
In Art in America, October 30, 2014 URL: www. Pereira, José Manuel. 2019. Estética de
artinamericamagazine.com/news-features/ ações coletivas na Internet Art:
artinamericamagazine.com/news-features/
magazine/the-perils-of-post-Internet-art/; Crowdsourcing e o despertar de
magazine/the-perils-of-post-Internet-art/
públicos criativos, Universidade de Lisboa
Droitcour, Brian. 2014b. “Why I Hate Post-Internet Art”. In (Theses).
https://
Culturetwo, March 31, 2014, 2014. URL: https://
culturetwo.wordpress.com/2014/03/31/ Quaranta, Domenico. 2015. “Situating Post-Internet”. In
culturetwo.wordpress.com/2014/03/31/
why-i-hate-post-Internet-art/; Media Art. Toward a New Definition or
why-i-hate-post-Internet-art/
Art in the Age of Technology. Valentino
Fernandes, Lino Azevedo. 1999. NET.ART: a Internet Catricàla (ed.). Venice: Gli Ori.
como espaço de exibição artístico
alternativo ao domínio hegemónico Rinehart, Richard and Ippolito, Jon. 2014. Re-collection:
e globalizador do sistema artístico art, new media, and social memory.
mundial. Coimbra: Universidade de Coimbra. URL: Cambridge, MA: MIT Press.
https://estudogeral.uc.pt/handle/10316/9740
https://estudogeral.uc.pt/handle/10316/9740 Silva, Luís. 2005. “Net Art Portuguesa 1997-2004”. In
https://www.
Furtado, Teresa Veiga. 2023. Net art e igualdade www.atmosferas.net. URL: https://www.
cada1.net/netart/luis.html
de género: cocriação com mulheres de cada1.net/netart/luis.html
casas de abrigo, Universidade de Lisboa (Theses). White, Michele. 2002. “The aesthetic of failure: Net art gone
wrong”. In Angelaki: Journal of Theoretical
Humanities, 7 (1), pp 173-194.
119
Sofia Ponte & Luis D. Rivero-Moreno
Sofia Ponte & Luis D. Rivero-Moreno

