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NET ART IN THE BERMUDA TRIANGLE                          21. Selected works from the
                                                             one hundred included in the
                                                             online exhibition Net Art
    Similar to The Art Happens Here: Net                     Anthology, organised in
    Art’s Archival Poetics, held at the New                  2016 by Rhizome, which served
                                                             as a basis for outlining
    Museum in New York in 2019, this exhibition follows      a “model” for net art.
    a chronological narrative . Net Arte no                  22. In addition to being
                            21
                                                             featured in this publication,
    Triângulo das Bermudas considers the                     this chronology can be
                                                             accessed interactively at
    concept of a motherboard, through which components       caaa-net.art. It was also made
    and external peripherals connect to channel informa-     available in a printed version
                                                             in the exhibition space.
    tion within a computing system, as illustrated in
    Figure 4. Both the artworks and the collected documentation are
    structured into two main chronological sections: the 1997-2007
    section and the 2008 to the present section. All these elements are
    integrated in the speculative Chronology – A Panorama
    of Net Art in Portugal, created by Sofia Ponte and Luis D.
    Rivero-Moreno . This mapping provides concrete data to support
                   22
    theorisation and a deeper understanding of the events it brings
    together. The exhibition’s website offers open access to this chrono-
    logy under a Creative Commons license, allowing anyone to use,
    print, modify, distribute, and/or copy the work, provided the authors
    and the source are credited, and any derivative works are licensed
    under the same or a similar license.
    The projects presented at CAAA were made available in the exhibition
    space under varying conditions, though these did not replace their
    original Internet-based experience. Four projects were presented in
    documentary form, specifically the works of Susana Mendes Silva,
    the collective Pizz Buin, Daniel Pinheiro & Annie Abrahams, and
    Alice dos Reis. The work of the collective @c & Lia was also included
    in a documentary format and led to an audiovisual performance by
    @c & Rodrigo Carvalho. Additionally, documentation related to the
    performance of Joana Chicau, presented live in Portugal for the first
    time, was included. Excerpts from texts about her work – written by
    the artist herself and by Daniel Temkin – were exhibited, along with
    photographs of previous performances. Musician Luís Fernandes
    created a live performance based on the unique and
    ephemeral nature of electronic improvisation in real
    time and space. The three performances featured in the
    exhibition – by Joana Chicau, @c & Rodrigo Carvalho,
    and Luís Fernandes – were held in CAAA’s Black Box
    and streamed online, where they remain accessible
    on the institution’s YouTube channel. Only two of
    the featured projects exist online today: those by Rui   Fig. 4 Study by Maria Luís Neiva for the
                                                             design of the exhibition Net Arte no
    Torres, and the collective wr3ad1ng d1g1t5.              Triângulo das Bermudas.
                                                             See page 16.
                                                             See page 16.

    The Study of Net Art in Portugal and the Exhibition   32
    The Study of Net Art in Portugal and the Exhibition
    Net Arte no Triângulo das Bermudas
    Net Arte no Triângulo das Bermudas
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