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exhibited. One of them appears digitised and animated    26. This software was created
    within Olhos, while the other provides access to the     with no profit-making purposes.
    artist’s creative process. Although these books were not physically
    available for consultation, a video sequence, installed on a mobile
    device, showcased their interior pages. Additionally, a copy of her
    book Art + Internet + Performance = beginning
    of the 90’s (2008) was exhibited, in which the artist reflects on
    the advent of the Internet and its relationship with performance art.
        The project AO2D by Luísa Ribas & João Cruz was revived by
    computer engineer Carlos Afonso. The work consists of four colourful
    audiovisual panels, each programmed to react when a cursor moves
    over them. Each panel offers a distinct visual and sonic interaction,
    yet collectively they are harmonised by an abstract and repetitive
    electronic aesthetic. AO2D was available for several years on the
    original website of the Cronica Electronica publishing house and was
    part of the online show Medialounge, an integral component
    of the exhibition Abstraction Now, held at Künstlerhaus Wien
    in Austria. To make the interactive project function, Carlos Afonso
    installed Flashpoint Archive, a program developed by enthusiasts of
    games, and other interactive Internet-based experiences, with the
    goal of preserving such digital artefacts . Flashpoint Archive subse-
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    quently installed the Projector application in a designated folder (C:\
    Flashpoint\FPSoftware\Shockwave\PJ9\Projector.exe), enabling it
    to interpret the four original DCR (Director Shockwave) files. At the
    time of the project’s original release, the most common browsers
    – Netscape and Internet Explorer – supported SWF and DCR files,
    allowing users to switch between panels using two small square
    buttons located beneath them. However, with the disappearance
    of Director and its associated plug-ins, this functionality could no
    longer be recalibrated. As a workaround, four shortcuts were created
    to launch Projector and open each file sequentially through a single
    command (ex: C:\Flashpoint\FPSoftware\Shockwave\PJ9\Projector.
    exe “c:\expo\amus.dcr”).
        Although this version of AO2D does not precisely replicate the
    original, visitors were able to interact with the work on a computer,
    using a CRT (Cathode-Ray Tube) monitor, a mouse, and headphones.
    The CRT monitor, with its much lower resolution compared to
    modern LCD (Liquid-Crystal Display) screens, allowed the project to
    be presented in a format closer to its original aesthetic. The screen
    also displayed instructions on how to interact with the work:
           › Open one of the four files located on the lower bar to interact.
           › Minimise the file and repeat the previous steps with the
    remaining three files.



    The Study of Net Art in Portugal and the Exhibition
    The Study of Net Art in Portugal and the Exhibition   36
    Net Arte no Triângulo das Bermudas
    Net Arte no Triângulo das Bermudas
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